SUNY Oswego’s spring musical, "Fun Home," is a memory play that director and theatre faculty member Jonel Langenfeld likens to a snow globe -- one that allows the main character to observe from outside the good, the bad and the ugly of her fraught but loving relationship with her late father.

"Fun Home" will take the Waterman Theatre stage at 7:30 p.m. Thursday, April 25, for a preview. It will run at 7:30 p.m. April 26 and 27 and May 4, with a finale at 2 p.m. Sunday, May 5. 

The play, winner of the 2015 Best Musical and other Tony Awards during its run on Broadway, was adapted from Alison Bechdel's 2006 memoir. The graphic novel genre gave the author a therapeutic outlet for a cascade of feelings about her father, as well as her – and his – sexual orientation. Lisa Kron wrote the musical’s book and lyrics, with music by Jeanine Tesori.

At SUNY Oswego, music faculty member Alan Martin directs a student orchestra for the songs and frequent underscoring of "Fun Home's" dialog and action.

The musical weaves tragedy and comedy as it follows the shifting snowdrifts of memory, Langenfeld said. The fact that Bechdel is a real person who grew up helping out with and playing in a funeral home (nicknamed the "fun home") with her siblings makes the snow globe metaphor compelling.  

"When you're in the snow globe -- when the snow is shaken and things are happening all around you -- you're part of that world, so you're not able to look in on it," said Langenfeld. "Now, when you're older, all of your memories are in the snow globe and you get to look in it from the outside and have a whole different understanding."

Three students play Bechdel: Michaela Buckley appears throughout as the adult Alison, while Rachel Leotta plays Small Alison – about age 9 -- and Helena Buttons is college-age Medium Alison. Douglas Woolever plays Alison's father, Bruce, and Remington appears as her mother, Helen, in the 10-actor cast. 

Accepting differences

The play deals with a father who was a closeted gay man his entire life and his relationship with a daughter who cannot express her own lesbian nature until college, and even then not to her parents until she's an adult. There are also elements of abuse and mental illness in the play.

Small Alison wants to wear clothes usually associated with boys; Bruce insists she wear a barrette -- he wants her to be a feminine girl. Though he was abusive to her in some senses, Bechdel saw humor, too, in her childhood.

Langenfeld believes the fundamental humanity of the musical would be revelatory for many.

"This is not, 'Oh my gosh, this is such a trauma drama,'" said Langenfeld. "It's got serious stuff in it, but it's also very funny. So many people are going to relate to it, even if they're not gay. That's what I want to get across to people. Everybody has their own beliefs. But I'm always about social justice and accepting people's differences. People can relate to this just as any daughter and her father and her mother. It's still relationships. It's still dealing with self-expression and how confined anyone can feel in trying to deal with that."

Senior theatre major Ryan Benson Smith worked with the “Fun Home” dramaturgy team, which provides research and materials to put the work into context. "All of the characters are real people, so it's important for us to understand who they were and how they fit into the production," he said. With the LGBTQ and other themes in the play, "it's very important for us as dramaturgs to make sure everything is presented in the best light." The dramaturgy hub for the play is online.

The team is developing an educational package so audiences can learn in depth about the show, Smith said.

‘Instantly accessible’

Critics generally hailed the honesty of “Fun Home,” both off-Broadway and on. USA Today’s Elysa Garner wrote, “From the start, this adaptation of Alison Bechdel's autobiographical graphic novel had all the earmarks of a contemporary hit: topical subject matter, a wittily irreverent but emotionally compelling book and score … and characters who are at once intriguingly idiosyncratic and instantly accessible.”

Langenfeld coordinates the college's musical theatre track and also its minor in expressive arts therapy. “I work with therapy,” she said. “That is my purpose in theatre and the arts, to help people live a more honest life for themselves.”

SUNY Oswego junior theatre major Nicole Caroselli, who serves as stage manager, in charge of all of the technical aspects of the production, said the play challenges the student actors to work hard to inhabit the characters, but not to play themselves, even though the themes are broadly -- and perhaps specifically -- relatable to many families.

This is a play of flashbacks, so there are 27 scene changes, Caroselli said, which puts the onus on cast and crew to perfect the positioning of people, costuming, makeup, props, lighting and sound.

"We had a designer run yesterday," Caroselli said. "I was extremely happy with how it went." 

Tickets for “Fun Home” are $15 ($5 for SUNY Oswego students with valid ID) and are available at SUNY Oswego box offices, online or by calling 315-312-3073. All tickets for the preview are $5.

Parking is included in the price of a ticket and is available in the employee lot in front of Culkin Hall and the employee and commuter lots behind Hart and Funnelle residence halls. People with disabilities needing assistance should call 315-312-3073 prior to a performance.